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Be very selective. Show it to a teacher or counselor who you know neeed give you honest feedback. Read our ultimate guide to curating a photography portfolio. This creates a much more professional backdrop to your application. Tell your teacher or careers advisor about Success at School Before you go, let your teacher or careers advisor know how awesome Success at School is:.
 
 

 

Do you need a portfolio to get into art school.How to Get Into Art School

 

The University of the Arts London gives the following definition of an application portfolio:. It demonstrates your creativity, personality, abilities and commitment, and helps us to evaluate your potential. Every art school has different requirements and expectations. Some universities have strict criteria when others are open and flexible.

The difference in expectations can leave students uncertain about how to proceed. Producing an art portfolio is not to be taken lightly. Top art schools accept a very small percentage of applicants.

This blog highlights the general recommendations to help you produce your portfolio. Deciding which art university is for you is a big decision. Create a list of universities that you would like to prepare to attend and find their admissions criteria.

All university portfolio requirements are different. Record the exact requirements carefully, print them out and highlight key information. Seeing examples from previous applicants is one of the best ways to understand the portfolio standard. Many university art portfolio examples can be found online or in campus libraries. Some art schools retain hardcopy examples to help students the following year. If you feel daunted looking at others portfolios, please take in mind that it is usually the candidates who display their work.

Do not despair if your technical skill is not as strong as the example you see. Remember that portfolios are assessed based on a wide range of criteria.

If you have an excellent academic background, innovative ideas and a passion for the subject, you can trump someone with technical skill who lacks creativity and personal drive. Showcase your strengths and back yourself. Open days are the ideal time to find out whether an art school is the right place for you. Open days are also a great opportunity to find out more about the admissions process and what is expected by a school in terms of application portfolios.

Many art and design courses require applicants to have a certain level of observational drawing skill. If you are wondering what you should draw: the possibilities are limitless. You may, for example, draw a landscape, still life, portrait, animal, human figure, interior or exterior environment, hands and feet, or any other interesting everyday object — focusing on subject matter that is relevant for your degree and, more importantly, subject matter that has some meaning and relevance to you.

If you are stuck on not knowing what to draw, draw things in your room, your house, your surroundings. Try not to get into any cliches of drawing all the same thing. Your art portfolio should show a diverse range of skill and visual experiences. Demonstrate that you are able to use and experiment with a range of styles, mediums and techniques and can control, apply and manipulate mediums in a skillful, appropriate and intentional way.

Someone who is able to create oil paintings, sculptures, collages and pencil drawings, is definitely more flexible than someone who is only able to sketch only with a pencil. The former student is able to demonstrate growth, diversity and a breadth of skill, as well as an interest in learning new things. All work — even observational drawings — should show that you understand how to compose an image well, arranging visual elements such as line, shape, tone, texture, colour, form and colour in an pleasing way.

Compositions should be well-balanced and varied. Some art schools, particularly in the United States — require that every piece in your application be a finished, realised work. Others in the UK love to see process, development or sketchbook work. If an art or design school specifically states that this material is permitted, this is an excellent opportunity to flaunt your skills, commitment and depth of knowledge. The research and processes undertaken to develop your work are often as important as the final work itself and allow the selection panel to understand your work in context and see how it has been initiated and developed.

Process and development work helps colleges and universities to understand how you think the ideas and meanings behind pieces and see that you are able to take an idea from concept and develop it through to a final resolution.

It provides evidence that you are able to analyse, experiment, explore and trial different outcomes and make critical judgments.

It is important to remember that artistic skill must be accompanied by creativity, original ideas and some form of visual curiosity. Technical skill is useless if you are unable to think of how to put an idea in a unique, interesting way.

Someone who is able to generate original and captivating ideas that rip into your heart and soul is far more appealing than someone who produces dull, predictable, yet technically excellent artwork. To achieve this within your portfolio, it may help to:. Most importantly, students should research and follow instructions given by each institution they want to apply to carefully.

Submitting the same portfolio for each application may not be the right approach, as schools and universities will have specific requirements. For more details of how to put together a portfolio for UAL click here. Parsons believes that just as the strongest pieces are often those that took many attempts to develop, providing a window into your creative process can speak volumes about the kind of artist you are.

There are ways to incorporate that into a portfolio, and that can really support the student. Including unfinished work in your portfolio can be beneficial if you believe that the work offers useful information about your artistic process. Your best bet is to consider whether or not each particular work-in-progress really adds something to your portfolio.

For each project, select only the specific and unique things you can bring to it. For instance, if you have multiple projects each with the same approach, include only the strongest one. An art portfolio is like an essay – presenting ideas must be comprehensible and succinct. An art school portfolio is about pushing the limits of art and design throughout your work. It can look like this: select photos that portray the world differently than paintings, or paintings that achieve something drawings are incapable of, and so on.

This way of refining your collection guarantees that each piece is unique while also conveying your rationale for using each medium. Ask yourself what you can express with your drawing that a camera would not be capable of producing by itself. Exhibiting the strengths and capabilities of particular styles of art also means experimenting with the different media that are available.

For example, instead of drawing with pencil, try doing that same study with crayons, pastels, charcoal, chalk, or ink. In many cases, this documentation will be the only account of your work that an admissions department is exposed to. The same thing goes for books or zines—rather than stressing about taking up your whole portfolio with a series of images, why not make a second iMovie that goes through the extent of what you did?

Professional art photography is extremely expensive. Luckily, you can take more than adequate photos of your work with a little planning and minor equipment. Photographing pure white in an artwork that also contains darker colors can be tricky. The key is using at least watt lights, placed at even intervals surrounding the surface that you want to render. You may be able to use equipment that is already at your school if you are currently in high school or college.

If you are not a student, you may want to rent or borrow photographic equipment for the day. Depending on what kind of work you make, scanning images may be more appropriate than photographing.

For non-students, local print shops will have low-cost scanners available. If your portfolio contains analog photography , be sure that the prints or scans you include are high quality. When getting prints or scans done at a lab, ensure that the photos are the best representation of your work.

National Portfolio Day was created to make it easier for prospective art students to get portfolio feedback. A university fair-style event, National Portfolio Day offers the chance for you to have your portfolio critiqued by virtually every undergraduate art and design program in the United States and Canada before you apply.

However, be prepared for honest and even jarring critiques of your work too. Meeting these criteria for a successful application portfolio will greatly increase your chances of getting accepted to the art or design school of your choosing. You may feel like you are making art to meet admissions requirements for a professor or critics during this long process. Remember what drew you to art school, and think of how art school will continue to enrich that relationship.