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Indiana Jones and the Temple of Doom ; Directed by, Steven Spielberg ; Screenplay by. Willard Huyck · Gloria Katz ; Story by, George Lucas ; Produced by, Robert. Indiana Jones, a legendary archaeologist, finds himself in India, where a bunch of poor villagers reaches out to him to track down an ancient stone that has been stolen by an evil priest. It stars Harrison Ford, Karen Allen, Paul Freeman, Ronald Lacey, John Rhys-Davies, and Denholm Elliott. Ford portrays Indiana Jones, a globe-trotting.
What The Cast Of Indiana Jones And The Temple Of Doom Looks Like Today – Indiana Jones 5 cast
That role helped him land the part of Indiana Jones' "old friend" of "many adventures," Wu Han, who goes "into the great unknown mystery" after being gunned down by Chua's Chen. Yip told Indymag that he found his time on set "very enjoyable," but due to delays in filming because of Ford's back, and a hitch in the schedule, he "went to the wrap party first and then I did my first day of shooting.
Yip told the Liverpool Echo that he often gets "sensitive, quiet roles or playing rich Chinese who went to Eton and Oxford," but always welcomes a break from those characters. A student at the Royal Academy of Dramatic Art, he anglicized his name, telling The Straits Times in that he didn't want to be typecast, playing "the perennial Chinese houseboy.
In an illuminating interview with Movie Geeks United , Young said "Temple" was "one of the greatest thrills of my life. He was the one who kept shooting with a tommy gun at Indy. As the 9th of 12 children in his family, Singaporean Chua Kah Joo told The Strait Times in that "everyone was doing something different, so I just took up ballet. In , he also embarked on a decade-long career of film and television, "either cast as a crook or a cook ," starting with the series "Gangsters" and culminating with the series "The Return of Shelley.
Because I am in it also," as Lao Che's other twisted smiling son Chen," he added, "I shot Indiana Jones' best friend, then he killed me with the skewer.
Sifu Chua sees Wing Chun Kuen as "a beautiful, unusual art as it applies the power and efficiency of our natural body structure to fend off aggressive confrontational force.
Its graceful combat comes from the discerning ability of the Art's core principle — 'Knowing when to take action and when not to. Now in his 70s, Chua can still throw 21 punches in 3 seconds. Fu Manchu" starring Peter Sellers. Years later, on the set of "Greystoke: The Legend of Tarzan, Lord of the Apes," he met "a guy named Steven" who asked him to work on "Indiana Jones and the Temple of Doom" choreography, without realizing who Spielberg was.
Tan recalled to Kung-Fu Kingdom , "You can't be the director, you're like 30 years-old! Frustrated with the limitations of roles offered in Hollywood, as he told the South China Morning Post in , always killing people as "a gang member or a gangster. It's pretty sad," Tan has branched out into producing and directing, working on second units for such films as "Orgasmo" and 's "Commando.
The lives of Spielberg and Dan Aykroyd have crossed many times since the former made a cameo on "Saturday Night Live" in Two years later, Spielberg drafted Aykroyd and John Belushi for the notorious misfire "," and Spielberg would make a cameo opposite his stars a year later as a county clerk in "The Blues Brothers. The two also took part in the anthology film "Twilight Zone: The Movie. When Spielberg was working on "Temple of Doom," Aykroyd called him up and asked him if he had "a little part in the movie for me?
It was quite a summer in for Aykroyd, with "Temple" bowing on May 8, and "Ghostbusters" a month later. Aykroyd later took part in a short film called " Citizen Steve ," to honor Spielberg's 40th birthday. When Aykroyd was developing the spirits company Crystal Head Vodka it was around the same time that Spielberg was working on the 4th Indiana Jones adventure, "Kingdom of the Crystal Skulls. Iranganie Serasinghe, the " Beloved mother of Sinhala cinema ," was called that because she was so adept at playing mothers in Sri Lankan films.
The English trained actress first portrayed one in 's "Rekava," and was a natural to play one of the main village mothers in "Temple of Doom," yearning to see their enslaved child again thanks to Indiana Jones, they do in the end. Serasinghe later relayed to colleague Michael Roberts that Spielberg "was impressed with the role I played, and after completing the film he told me 'I believed you.
Prior to "Temple," she had previously acted with her fellow "villager" actors and fellow Sri Lankans D. Now she's more prone to playing grandmothers, although when asked about playing great-grandmothers, she replied with a laugh: "I don't know. She told Roberts that "we need not focus only on trees. But also on air we breathe, water we drink and irrigation, and sunlight that nourish all vegetation and the animals live near and far.
All these are interconnected. When "his supreme highness, guardian of Pankot tradition, the Maharaja of Pankot, Zalim Singh" is introduced by Chattar Lal at the grand banquet, the guests gathered around the long table expecting to see someone of large stature to appear before them, they are surprised to see a "Little Maharaja" instead, played by British Sikh child actor Raj Singh.
If his high pitched voice seems out of place, it's because Singh's lines were replaced in post-production by voice actress Katie Leigh. Outside of "The Temple," Singh has notched only a few other roles: 's "Kranti," a episode of "No 73" 's "Agneepath," and was a visitor to the set of the James Bond film "Octopussy. Instead of pursuing acting as a career, Singh aimed for higher heights in the aviation industry. While he has kept a low profile for many years, he returned to the limelight, embracing his "Doom" past when making his first ever convention appearance at the Knoxville Comic Con in As per Fantasy Expo , he became interested in appearing when he saw Ke Huy Quan in their guest line-up and "thought a reunion with his old friend would be fun.
Filling out small roles in a large way is something Ahmed El Shenawi has excelled at, ever since he moved from Egypt to England in In , his "barrel of laughs" career hit a zenith when he slapped on a mustache and turban and played a merchant who dined with Indiana Jones and other guests in "The Temple of Doom.
Spielberg was impressed with El Shenawi's work, and per his daughter, said, "Ahmed, you are a Shakespearian-type actor. Later, after a stomach stapling operation, he lost half of his weight, and his acting career hit a crossroads, as his "character as the 'chubby Arab man'" could no longer be filled out. On the plus side, he was "thrilled that I could wear a better selection of suits!
The Nazis restrain Jones and Marion at the testing site as Belloq ceremonially opens the Ark but finds only sand inside. At Jones' instruction, he and Marion close their eyes to avoid looking at the opened Ark, as it releases spirits, flames, and bolts of energy that kill Belloq, Toht, and the assembled Nazis before sealing itself shut.
Jones and Marion open their eyes to find the area cleared of bodies and their bindings removed. Back in Washington, D. Despite Jones' insistence, the agents state only that the Ark has been moved to an undisclosed location for "top men" to study. In a large warehouse, the Ark is crated up and stored among countless other crates.
Producer Frank Marshall appears as the Flying Wing pilot. George Lucas conceived Raiders of the Lost Ark in , shortly after finishing the comedy film American Graffiti In , Lucas discussed his serial film idea with his friend Philip Kaufman. The pair worked on a story for two weeks.
The Ark provided a source of conflict for the hero and the Nazis, playing off Nazi leader Adolf Hitler's historical fascination with the occult. Lucas wanted Kaufman to direct the film, but because he was already committed to working on the western The Outlaw Josey Wales , Lucas paused the idea again and resumed working on Star Wars.
He invited Steven Spielberg to join him and his wife. On a beach near Mauna Kea , Lucas and Spielberg discussed their next projects. Lawrence Kasdan , Spielberg's recent discovery, was chosen to write the script. Kasdan had been working as a professional screenwriter for only a month but Lucas agreed to hire him after reading his script for Continental Divide All three men agreed to use "Jones" instead.
They intended he be someone the audience could relate to and idolize. While Spielberg directed , Kasdan used his office to write Raiders , taking inspiration from the early 20th-century serials, and adventure films like Red River , Seven Samurai , and The Magnificent Seven Spielberg described the draft as good but too long; Kasdan and Lucas collaborated to trim and refine it. Lucas wanted to fund Raiders of the Lost Ark himself, but lacked the money.
However, Lucas refused to do the project without Spielberg. Paramount Pictures president Michael Eisner compromised with Lucas, agreeing to his deal in exchange for exclusive rights to any sequels and severe penalties for exceeding the schedule or budget. Producer Frank Marshall, who had experience on smaller independent films, was hired because Spielberg believed he would keep the film on schedule and budget. Spielberg also hired cinematographer Douglas Slocombe and production designer Norman Reynolds because he liked their previous works and his long-time collaborator Michael Kahn as editor.
He also brought in his long-time collaborator Robert Watts as associate producer and production manager. Paramount mandated a filming schedule of 85 days; Lucas, Spielberg, and Marshall agreed on a self-imposed day schedule.
Spielberg was determined to avoid criticism for another schedule overrun. Six months of pre-production began in December This helped Spielberg pre-visualize scenes and limit the time taken to set up shots.
The script described the opening of the ark only as "all hell breaks loose", and the artists were tasked with envisioning what should happen. Each offered different aspects: spirits, flames, and weird light effects; Johnston was tasked with combining all three. Lucas said it put the film into a different genre.
Lucas wanted a relatively unknown actor, willing to commit to a trilogy of films, to play Indiana Jones. Lucas and Spielberg asked the show's studio, CBS , to release him 10 days early from his contract.
Spielberg said Ford was perfect for the role after seeing him in The Empire Strikes Back ; Kanzanjian said Ford had always been considered but not cast because he was already a well-known actor. For Jones' love interest Marion, Spielberg wanted someone akin to early 20th-century leading ladies like Irene Dunne , Barbara Stanwyck , and Ann Sheridan , who equaled their male counterparts.
Belloq was intended to be a sophisticated villain to counter the "beer-drinking" hero. Principal photography began on June 23, The production could afford certain equipment only for a limited time, including a Panaglide camera stabilizer for smoother shots, and a camera crane for higher angles.
Had I had more time and money, it would have turned out a pretentious movie. The production moved to Elstree Studios by June Interiors included the scene featuring an imam deciphering the staff headpiece and the Peruvian temple.
Tunisia was used to portray Egypt. Ford was unable to perform for long periods while suffering from dysentery, and it was decided to shorten the fight scene significantly.
Lucas had used the canyon in Star Wars to portray the planet Tatooine. In late September, filming moved to Hawaii for exterior shots for the film's Peruvian opening.
The loosely detailed script led to much improvisation; where the script described three people talking in a room, in the film it would take place in a quarry alongside extras. She and Freeman collaborated to develop the idea of Marion getting Belloq drunk instead. Allen described Ford as a private person who would not discuss his character in detail, and it took her a while to adapt to his working style.
Post-production lasted about two months and focused mainly on special effects and pick-up shots. He and Kahn collaborated on the edit; Spielberg said he was happy with their changes. Marcia is not credited in the film, but her suggestion led Spielberg to shoot a final exterior sequence on the steps of San Francisco City Hall showing Jones and Marion together.
Other changes included the addition of a scene where the Ark makes a humming noise in the Bantu Wind hold and the removal of a scene showing Jones holding on to the U-boat periscope to follow the Nazis; Spielberg thought it looked poor and hoped the audiences would not care how Jones accomplished the feat.
Spielberg said it was cost-effective and only sharp-eyed viewers would ever notice. John Williams served as composer for Raiders of the Lost Ark. He said the music did not have to be serious for the film and was instead theatrical and excessive. Two separate pieces were played for Spielberg, who wanted to use both. These pieces became the main theme and musical bridge of "The Raiders March". For the romantic theme, Williams took inspiration from older films like the drama Now, Voyager to create something more emotionally monumental that he felt would contrast well with the film's humor and lighter moments.
He said this signified a militaristic evil. The Peruvian temple interiors used in the film were life-sized sets. Spielberg said he was an idiot for letting Ford do it, but it would not have looked as good with a stuntman concealing their face.
A female spider was put on his chest to encourage movement. The golden idol also had mechanically operated eyes that could follow Jones. Filming of the Well of Souls scene was delayed initially by a lack of snakes. There were — snakes to use for close shots and some mechanical snakes for wider shots, but Spielberg wanted more. A request was made to snake handlers from around London and Europe who produced between 6, and 10, snakes in a few days.
He dropped a dead serpent on her to elicit a genuine reaction. It took 40 crew members to move it off of him. He avoided injury through a combination of the extreme Tunisian heat making the tire soft and the ground being covered in sand. The three-day shoot was one of Spielberg's more difficult scenes to film, and he was reported saying he wanted to go home. Second unit director Michael D. Moore filmed most of the truck chase.
Spielberg had not used a second director before but agreed to it as the scene would take a long time to film being set in multiple locations. Moore completed wider shots where stuntmen stood in for Ford. He closely followed Spielberg's storyboarding but innovated a few shots Spielberg considered improvements. The team worked on both Raiders of the Lost Ark and the dark fantasy Dragonslayer Freeman said he had no idea what was happening when he opened the Ark.
He was told to imagine something coming towards him and to scream. They were shaken to create a natural movement that was composited into the live footage. A Lucasfilm receptionist, dressed in a long white robe, was suspended in the air in front of a blue screen for the close-up of the ghost. She was filmed moving away from the camera and the footage was reversed to create an inhuman movement. Her visage was composited with a skeletal model for the monstrous transformation.
Freeman, Lacey, and Kahler's death scenes were created using different models. Controlled by up to ten people, the air was removed to make the head shrivel. Propane heaters were used to melt the gelatin and filmed using a slower-than-normal camera so the effect appears to take place rapidly when played at normal speed.
It was blown up using explosives, shotguns, and an air cannon. It took three attempts to get the desired effect. Flames were superimposed over the scene to conceal the effect. Kasdan scripted detailed montages during the transition between locations, but Spielberg saved money by showing a map and an animated line traveling between destinations.
When this did not work, the filmmakers hung a grape over its head to encourage it to reach up; it took 50 takes to capture. Matte paintings were used to create more elaborate backgrounds: these included the establishing shot of Marion's Nepalese bar and the warehouse where the Ark is later stored, the latter painted by Michael Pangrazio.
Spielberg disliked the painting of the China Clipper plane by Alan Maley as he did not think it looked real against the water they had filmed. After picking the right style, she purchased an Australian model she aged with Fuller's earth and mineral oil , and then scrunched beneath a bed. The hat allowed them to create a recognizable image even in silhouette.
Spielberg wanted a moodier film noir lighting style like in The Informer In contrast, Slocombe wanted to make things brighter and used backlighting to create a greater depth of field; Spielberg preferred his changes.
Slocombe often employed natural light, using solar position predictions to plot a scene's layout. Spielberg liked the beams of sunlight glimpsed through scenery and tasked special effects artist Kit West with using a smoke machine to create artificial sunlight shards. For the bar fight, Spielberg wanted pitch-black shadows on the wall, but the lighting required to achieve this would have shrouded the actors' eyes; he settled for subtler shadings.
He also wanted to illuminate the Well of Souls with a lighting effect through the ceiling opening, but once this was sealed it no longer made sense. The flaming torches used in the scene did not provide enough light, so he opted to use an artificial light source. Spielberg noted Allen always looked beautiful in her scenes because Slocombe would spend twice as long setting up her lighting as he would Ford's.
Sound effects supervisor Ben Burtt recorded the film's many sounds. The snake slithering is a mix of Burtt running his hands through cheese casserole and wet sponges being dragged across grip tape; the rolling boulder is a Honda Civic driving down a gravel hill; and the Ark lid opening is the sound of a toilet cistern being opened.
Jones' revolver is the sound of a Winchester rifle firing, while his whip-crack was made by recording Ford using the whip. By the summer of June—September , the film industry had been in decline for over a year. This was the result of few box office successes, rising film production costs, diminishing audiences, and increasing ticket prices.
This increased competition to attract audiences, mainly those aged 12 to 24, at the most profitable time of the year. This letter inspired a whistleblower at one theater to alert Paramount of the planned theft of a Raiders print to make pirated copies. In the United States U. The film remained a steady success; six months after its release, industry executives joked Raiders would be the year's big Christmas film. Outside the U. The success of the release led to the run being extended to additional theaters.
This success was attributed mainly to Raiders and Superman II. Raiders of the Lost Ark was released to general acclaim by critics and audiences. He described it as having refined the old serial films into their most perfect form for a modern audience. He concluded the film was successful in its singular goal of entertaining, creating an adventure epic in the vein of Star Wars , the James Bond films , and Superman.
He continued that the film successfully balanced action, comedy, and suspense with mystical mythologies. Richard Schickel called it a return to form for Spielberg, demonstrating a competence not seen since Jaws. He criticized the film's reliance on nostalgia and updating older films instead of innovating new ideas. Kael said though Raiders was a sophisticated update of older serials, avoiding cliches with clever editing, it was too focused on surpassing each previous action spectacle to the detriment of characterization or plot progression.
She opined the failure of had made Spielberg too cautious, and scenes evidenced he was rushing and not achieving the best possible take as in his previous work.
He also criticized the story for allowing the hero to choose to rescue the Ark over his romantic interest on multiple occasions, believing it made Indiana Jones difficult to support. The principal cast was generally well-received. Ebert said the amusing and unusual characters elevated the film beyond just a technical accomplishment.
He described Ford's performance as taciturn and stubborn character in the vein of Humphrey Bogart in The Treasure of the Sierra Madre , but with the ability to laugh at himself. His review concluded the character was the definition of an activist.
She singled out Freeman for praise, however, for continuing his performance after a fly crawled into his mouth; [] Freeman jokingly called it the best review of his career. However, he praised Rhys-Davies' and Elliott's performances. Several reviewers singled out the opening of the Ark as one of the film's best special effects. Some children were reported to have suffered nightmares afterward. In the early s, the Videocassette recorder VCR home video market was rapidly gaining popularity.
Paramount priced their home videos significantly lower than their competition, reasoning it would broaden the sales audience and promote home video watching. Almost 10 million cassettes of the Indiana Jones series had been sold by this point.
This promotion was expected to sell at least 5 million more. In , the film was released on DVD as a bundle with its then-two sequels. This set introduced additional materials including Making the Films , a two-hour documentary about the making of the films including deleted scenes, and Behind the Scenes , a series of archival featurettes. Spielberg worked on the films' restoration for the higher-quality format.
Raiders of the Lost Ark has been represented across a wide variety of merchandise, including comic books, [] video games, [] novels, [15] Lego sets, [] [] action figures and vehicles, playsets, [] candles, [] and board games. It has received several game adaptations. Raiders of the Lost Ark was released in for the Atari console.
All that remained from the destruction were encased in plastic and turned into the Diana Jones Award —" A novelization of the film, written by Campbell Black , was released in Among them is Marion was aged 15 when she and Jones began their relationship, the staff of Ra headpiece has explicit instructions not to look at the opened Ark, and Brody finds Jones at home after having just entertained one of his students. It features several live stunts based on set pieces from the film.
Raiders can be interpreted as a Jewish fantasy about punishing the Nazis for the Holocaust. Eventually, it also destroys the Nazi forces that open it. In another scene, Jones falls underneath a moving truck when its hood-ornament, a Mercedes logo, snaps, mocking Mercedes' involvement in aiding the Nazis. The image of God is one that is inherently on the side of the good, and the destruction of the Nazi villains draws parallels to Yahweh visiting plagues on Egypt for enslaving the Israelites.
Raiders of the Lost Ark is a pastiche of cinematic history, inspired by and referencing many films. Spielberg stated explicitly the film is about movies and designed as a tribute to filmmaking. He deemed this an example of "cinemate visual literacy", an increasing number of people educated by visual media rather than text.
A common theme shared by Raiders and another film, Superman II , is American security is at risk. These films are emblematic of their time and the contemporary fears of American citizens. The Nazi characters are based on a former threat to America, and like Superman II , Raiders requires the intervention of a superhuman character to prevent destruction at the hands of enemy forces—a character audiences can admire, but never possibly emulate.
Janet Maslin argues the fantasy of these films and the larger-than-life characters are designed to satisfy audiences who do not want to reflect on the world around them. Raiders offers a counter to the American national embarrassments of its defeat in the Vietnam War — , the political scandal of Watergate , a recession , and the growing influence of foreign nations. Wood opined the purpose of this was to subdue contemporary radical social movements eager for change.
The macho male action hero archetype of the era, conveyed by Jones, can also be seen as reinforcing traditional masculinity in the face of growing feminism. Describing the typical interpretation of this archetype, Latham Hunter said films such as Raiders , Lethal Weapon , and Die Hard evolve the everyman character into someone who can overcome impossible odds and promote American might.
Jones has been criticized as a poor portrayal of an archaeologist and that his actions amount to theft. Jones is imbued with the self-reliance and physical competence of the traditional hero, but with an intelligence that is recognized and celebrated, setting him apart from older heroes.
When given the opportunity to destroy it to prevent its misuse, Belloq calls his bluff and Jones backs down. Belloq suggests he is a skewed reflection of Jones, and only a small change would turn Jones into Belloq.
In her argument that the film is about colonialism , Tatiana Prorokova identified Jones and the Nazis as all-Caucasian males invading foreign lands, belonging to people of color, to steal a local treasure for their own personal benefit. Although according to Lucas the character of Indiana is named after his childhood dog, Prorokova insists that the hero is named for the U. Raiders of the Lost Ark has had a lasting impact on popular culture.
It is considered a touchstone of modern cinema, creating a film framework still emulated by other films. Ford's performance led to his casting in the science fiction cult classic film Blade Runner. She unsuccessfully lobbied for rewrites to address this and explore her character further.
Forty years after the film's release, Allen affirmed she still received positive feedback from young women. The outcome of this lawsuit is unknown. The film led to an increase in students studying archaeology, and many modern archaeologists have cited the film as an inspiration. Rhys-Davies said he had met over lecturers, professors, and archaeologists who told him their interest in the field began with the film.
Nadoolman Landis recovered the items to be exhibited as part of a Hollywood costume display at the Victoria and Albert Museum in London. In , the United States Library of Congress selected the film to be preserved in the National Film Registry for being culturally, historically, or aesthetically significant. He continued, "whether by accident or design Several filmmakers have spoken of their appreciation for Raiders of the Lost Ark or cited it as an inspiration in their own careers, including Chris Carter , [] Simon Kinberg , Jon Turteltaub , [] Dan Brown , [] and Joe Johnston.
The experience had an explicit influence on Johnston's directorial effort Captain America: The First Avenger , including character designs. The film has inspired or been referenced in other media including film, [] [] television shows, and video games. Spielberg congratulated the trio on their accomplishment. Raiders of the Lost Ark is considered one of the greatest films ever made.
He concluded it was a "whiz-bang slamarama" made with "heedless joy". The consensus reads, "Featuring bravura set pieces, sly humor, and white-knuckle action, Raiders of the Lost Ark is one of the most consummately entertaining adventure pictures of all time. They said, "no adventure movie is quite so efficiently entertaining". They reassessed to number 66 in the anniversary edition.
Several publications have ranked it as one of the greatest films of all time, including number two by Empire , [] number five by Time Out , [] and number 19 by MSN. Channel 4 viewers in the United Kingdom ranked Raiders as the 20th best family film of all time in A episode of the sitcom The Big Bang Theory " The Raiders Minimization " argues that Jones accomplishes nothing in Raiders , as the Nazis would have eventually found the Ark, opened it, and died regardless of Jones' actions.
An essay by Esquire ' s Matt Pomroy agreed, with the caveat that Marion would have almost certainly died at Toht's hands, and the Ark would have been flown successfully to Germany on the Flying Wing and opened for Hitler, likely killing him.
However, Jones' involvement ensures the Americans secure the Ark, preventing the Germans from using it. The success of Raiders of the Lost Ark has spawned three sequel films thus far. Indiana Jones and the Temple of Doom was in development by , while the original was still in theaters. The film became one of the highest-grossing films of and broke box office records, but fared less well with critics who accused it of racism, sexism, and containing content inappropriate for child audiences.
It serves as the final film of the original trilogy and follows Jones and his father, portrayed by Sean Connery , on a quest to recover the Holy Grail. It was also well received by critics. The setting moved from the s to the s, pitting Jones against Russians to recover a crystal skull. Novels, comic books, and video games have also been released detailing the further adventures of Indiana Jones and his supporting cast from the films.
From Wikipedia, the free encyclopedia. This article is about the film. For other uses, see Raiders of the Lost Ark disambiguation. George Lucas Philip Kaufman. Lucasfilm Ltd. Release date. June 12, Running time. Harrison Ford left, in and Karen Allen in They portrayed archaeologist Indiana Jones and his love interest Marion Ravenwood, respectively.
Main article: List of Indiana Jones characters. George Lucas left in and Steven Spielberg in Philip Kaufman left in and Lawrence Kasdan in Kaufman originated the idea of using the Ark of the Covenant as a central plot device.
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Indiana Jones 5: release date, cast, plot and more | What to Watch.Indiana Jones 5 release date, cast, plot and more
A dogfight was deleted, as well as those who drank the Kali blood turned into zombies with physical superhuman abilities.
Indiana jones part 2 cast. Indiana Jones and the Temple of Doom
Lorraine Doyle Dancer. Vanessa Fieldwright Dancer. Brenda Glassman Dancer. Elaine Gough Dancer. Sue Hadleigh Dancer. Sarah-Jane Hassell Dancer. Samantha Hughes Dancer. Deirdre Laird Dancer. Vicki McDonald Dancer. Nina McMahon Dancer. Julia Marstand Dancer. Gaynor Martine Dancer. Lisa Mulidore Dancer. Dawn Reddall Dancer. Rebekkah Sekyi Dancer. Clare Smalley Dancer.
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The Christian Science Monitor. Archived from the original on January 4, Archived from the original on November 21, Archived from the original on June 2, Little White Lies. June 20, Archived from the original on September 4, Retrieved April 8, Stellar Publishers. Wikiquote has quotations related to Indiana Jones and the Temple of Doom. Dharmadasa Kuruppu Chieftain. Stany De Silva Sajnu. Steven Spielberg. More like this. Storyline Edit. Did you know Edit. Trivia For the bug chamber sequence, Kate Capshaw was really covered with over two thousand insects.
She took sedatives prior to the scene to get over her initial fear, and claimed "they definitely worked". Goofs Although they might be consumed in some parts of Southeast Asia, snakes, insects, and monkey brains would never be served in India and especially not in the palace of a Hindu king or "maharaja" due to very strict Hindu and Islamic dietary codes. In fact, a significant portion of Indians mostly Hindus are strict vegetarians due to those religious dietary restrictions.
Quotes Short Round : Wow! Crazy credits The Paramount mountain dissolves into a mountain on a gong. Kate Capshaw 's hands obscure the words 'starring in', after which her entire body obscures the "Indiana Jones and the Temple of Doom" title. Alternate versions To avoid a '15' certificate in the UK with the sacrificial ceremony said to be bordering on '18', according to a letter sent by the BBFC to UIP in , the BBFC cut 1 minute 6 secs from the film and later said that it was one of the strongest PG ratings they had ever issued.
Among the cuts made were a heart ripped from a sacrificial victim and his lowering into the blazing pit, edits to a whipping scene and the fight between Indiana and the overseer, and the removal of a shot of a man's head hitting the side of a cliff. The line "Leave him alone, you bastards" was changed to "Leave him alone" and sounds of screams and violence were also considerably reduced.
This PG rated print was the only version available in the UK for many years until October , when the cuts were fully waived for the 12 rated Blu-Ray release. User reviews Review. Featured review. An entertaining experience, but unable to match the sheer brilliance of the original.
Indiana Jones and the Temple of Doom is the second of the Indy films from director Steven Spielberg, though chronologically it is actually the first. This prequel to Raiders of the Lost Ark tries to out-do its predecessor for breakneck spills and gross-out moments, but the sparkle isn't quite there.
It's an entertaining film for sure, but not as good as the original, partially because the plotting this time round is a little awkward and partially because Kate Capshaw as the main female character is an almighty irritation. The film opens in a Shanghai restaurant, where Indiana Jones Harrison Ford causes a riot in pursuit of a diamond. However, Indy and his companions unwittingly board an airplane owned by one of Indy's enemies, from which they have to make an audacious mid-air escape when the real pilots bail out mid-flight!
Soon, the intrepid trio find themselves in India, where they come across a village in the grip of starvation. The village children have been kidnapped by local cultists to work in a mine, digging for the sacred Sankara Stones, and Indy is persuaded by the distraught villagers to rescue their youngsters.
His quest takes him to the opulent Pankot Palace and, beneath it and beyond a maze of tunnels, the Temple of Doom. Ford is great as Jones, bringing genuine charisma to a role that he was born to play can you imagine how things would have turned out if Tom Selleck had got the part, as originally planned? There are some great moments along the way too, including the intentionally subversive opening sequence in Shanghai, a particularly funny and exciting runaway mine-train sequence, and an unforgettable banquet at Pankot Palace in which the food served up is enough to churn any stomach.
As mentioned, Capshaw is a real pain on the senses as the always-squealing heroine, and the plot seems to over-stretch in an effort to link to the next development or set piece.
The hunt-for-the-missing-children plot device allows Spielberg to dip into the kind of cloying sentimentality that occasionally mars his films too.
This is certainly an entertaining and professionally assembled film, but in no way a rival or an equal to the excellence of its predecessor.
